The Cambridge Companion to the Recorder by John Mansfield Thomson

ÍMPAR, Online journal for artistic research in music Vol. “Tongue articulation on the Recorder: An interpretation of Ganassi’s ‘Lingua laquale nõ proferisse sillaba niuna’”. Music as social and cultural practice: essays in honour of Reinhard Strohm. “Traditions and Practices in Sacred Polyphony.” In: Bucciarelli, Melania Joncus, Berta. Cambridge: Cambridge University Press, 1995, pp. “The recorder in the Middle Ages and the Renaissance.” In: Thomson, John Mansfield Rowland-Jones, Anthony. Published earlier in German as “Die ‘Ganassiflöte’-Tatsachen und Legenden,” Tibia 30, no. “The Ganassi Recorder: Separating Fact from Fiction.” American Recorder 47, no. A Companion to Music in Sixteenth-Century Venice. “Instrumentalists and Instrument Makers before c. “Myself when Young: Becoming a Musician in Renaissance Italy-or Not,” Proceedings of the British Academy 181, pp.

“‘Il magnifico Sigismondo Maler Thedescho’ and his Family: the Venetian connection.” THE LUTE. “The Venetian Privilege and Music-Printing in the Sixteenth Century.” Early Music History, vol. “Ruberto Strozzi and the Early Madrigal.” Journal of the American Musicological Society, vol. “Filippo Strozzi and the Early Madrigal.” Journal of the American Musicological Society, vol. A bibliography compiled by Vicente Parrilla, 2023Īgee, Richard J.

The Cambridge Companion to the Recorder by John Mansfield Thomson